The genre of horror was made in 1896 and set out to frighten the audience with activated feelings of terror and horror. The sub-genre of Vampires does this, but the approach it induce these feelings has changed as time passes, with the two features of Men Vampires and feminine Victims symbolizing this change. Three films that exemplify the aspect of change in the two features are, Dracula (1931) directed by Tod Browning, Fright Night (1985) directed Tom Holland and Twilight (2008) directed by Katherine Hardwicke. These three movies symbolize the enhancements made on the genre and contemporary society itself.
The film Dracula directed by simply Tod Lightly browning is the story of famous vampire Dracula. Dracula was your first ever goule film and therefore the audience of 1931 was not desensitised towards the idea of vampire being real, so Tod Browning needed to be careful, with all the strict laws on what violence was allowed to be shown within the screen, Browning had to stimulate feelings of horror without creating away cry. Browning did this kind of through produce Dracula a vampire of folklore, the epitome of bad that existed far away, in Draculas circumstance it was Transylvania a country only really well-known by the general public to be international. This not only unconsciously connected to the audiences annoyance in foreigners, for taking jobs and space, and for that reason gave these people an escape to actually dislike all of them through Dracula, but also created fear within these the idea that ghosts may be true, but would not push to date over the edge of fear into distress mainly because Dracula was foreign, and not in their very own backyard. Also the fact that Dracula was injured by simply religion and the cross and there being Truck Helsing whom knew precisely how to eliminate a vampire meant that Pistolet had another safety netting in case people started to relax to very much over the concept of being vampires. Dracula becoming injured by religion likewise gave the, majority spiritual, audiences of 1931 one other subconscious reason to stay spiritual, or even become it. But even with these types of everyday rights just the idea of Dracula being real was enough to frighten followers, with people believed to have fainted while Dracula was first on screen. This although improvements with Fright Night and Twilight, with not as much safeguard for the audience needed. Dracula as a character though also taps in to the audiences Xenophobia, with his personality being overseas adding to the horror. Also the way Dracula is able to lure in his victims who seem powerless increases the horror as they are like fly's caught in a spiders internet, which is shown metaphorically by Dracula passing through the web without disturbing it while Renfield gets captured. The thought of becoming powerless against Dracula could create dread within the viewers as everybody fears loss of life. Although Draculas violence is never shown just hinted by, with the biting of his victims under no circumstances being demonstrated, but his leaning in towards the neck of the guitar to attack telling the audience what is going on plus the idea of it happening was enough to frighten the audience as they weren't desensitised to the idea of vampires. Even the death of Dracula, him staying stabbed in the heart simply by Van Helsing, is not shown as it would be outlawed and even though the violence is for good, with the audience certainly not desensitised to violence it might be shocking for these people rather than alleviating since Dracula is lifeless, unlike in Fright Night and The twilight series. As Dracula was the very first vampire on sliver display the fact that he existed frightened the group as most were irrational and would be extremely afraid of Dracula, viewers at the time loved this fear and made Dracula a huge hit that marketed 50, 000 tickets bought from the initially 48hours of release. The implications of Dracula's success was that that paved the way to get other horror movies to get created with Frankenstein being released similar year and desensitised the audience of the time to the idea that vampires were true and offered a new means to fix audiences to flee through, through concentrating...
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